| LOT# |
|
TITLE |
DESCRIPTION |
CONDITION |
LOW
EST |
HIGH EST |
| 141 |
 |
Victorian Crazy Quilt |
Mixed polychrome silks with
green velvet border and hand embroidered designs with makers initials NHR, 65
x 70". |
One type of silk checked fabric
deteriorated, but only about three small pieces in quilt, Very Good. |
100 |
300 |
| 142 |
 |
Pair Sheraton Decorated
Demi-Lune Tables |
D shaped with original marbleized tops,
grain painted frame & turned legs with gold highlights, circa 1840, 23 x
46 x 29 3/4" high. |
Paint circa 95%, Fine. |
400 |
800 |
| 143 |
 |
Reverse Painted Federal Mirror |
Half turned columns, crest and
base in gilt and bonized finish with original polychrome painted tablet with
lady at piano-fortie with floral surround, original mirror tablet, brass
floral rosettes at corner blocks, 19 x 40". |
Paint circa 98%, tablet 100%,
Fine. |
100 |
300 |
| 144 |
 |
Marquetry Inlaid Box |
Purple velvet lined, likely made
as sewing box with many types of exotic hardwood inlay, key lock in front,
old varnish finish, 9 1/4 x 6 x 5" high. |
Minor wear to lining, else Fine. |
100 |
200 |
| 145 |
 |
American Chippendale Mirror |
Circa 1790 in mahogany with gilt
painted liner, original pine back board, old possibly original mirror glass,
13 1/4 x 25" high. |
Fine. |
100 |
200 |
| 146 |
 |
Late 18th Century Cherry High
Chest |
Circa 1790 with chestnut &
pine secondary woods, cove molded top over six graduated dovetailed drawers
with scribbed cock-beaded edge, solid ends with nice cut-out bracket base, 39
x 19 1/4 x54 1/2" high. |
Fine. |
400 |
800 |
| 147 |
 |
Still Life Oil Painting by
Bimingam |
Oil on canvas, variety of fruit
on table top, signed lower right Maria Bimingan, 38 1/4 x 18". |
Relined, minor frame scuff. |
150 |
350 |
| 148 |
 |
Early Pieced & Appliqued
Quilt |
All hand quilted multi-star
pattern in early calico prints with appliqued flowers between and border,
period cotton tag sewn in corner with inked manuscript inscription reading
Mables Quilt, 80 x 90". |
Over-all toning a few small
holes and stains, still a very striking quilt. |
100 |
300 |
| 149 |
 |
Early Appliqued & Pieced
Quilt |
Branching flowers in square with
solids between, vining floral border, striped home spun back, circa
1850-60's, 72 x 80". |
Good. |
300 |
600 |
| 150 |
 |
Early Appliqued Quilt |
Tulip pattern in yellow and
light green, all hand quilted, circa 1870, 74 x 76". |
Minor discoloration, Very Good. |
150 |
350 |
| 151 |
 |
Early Pieced Quilt |
All hand quilted, circa 1870
with both solid and calico prints Dresden Plate variant pattern, 72 x
84". |
Slight discolor, Very Good. |
100 |
200 |
| 152 |
 |
Early Pieced Quilt |
All hand quilted, circa 1890,
flying geese variant in early calico and solid prints, 80 x 82". |
Slight foxing, Very Good. |
100 |
300 |
| 153 |
 |
American Cherry Hepplewhite
Chest |
Circa 1820 with two board
overhanging top over four graduated dovetailed drawers with scribbed
cock-beaded edges, replace brass oval pulls & eschutcheons, solid ends
with nice scroll cut aprons, white pine secondary wood, 43 x 21 1/4 x
36" high. |
Fine. |
300 |
600 |
| 154 |
 |
Period Queen Anne Mirror |
Circa 1750 with in mahogany with
broken arch and shell carved crest and arched base, gilt liner and pine
secondary wood, 11 1/4 x 25 3/4" high. |
Minor chips, Very Good. |
100 |
300 |
| 155 |
 |
Mahogany and Curly Maple
Sheraton Card Table |
Circa 1820 with block front and
turned legs. |
Fine. |
200 |
400 |
| 156 |
 |
Pair Homan Pewter Candlesticks |
Cincinnati, Ohio, 10 inch type,
considered by many to be the most graceful of all American pewter sticks, old
dark finish |
Fine. |
100 |
200 |
| 157 |
 |
Sigfned Ferrario Dog Painting |
Oil on artist board, signed
lower right Ferrario showing coon hound with collar and fall landscape with
farm in background, 8 x 10" in walnut frame, 11 3/4 x 13 3/4". |
Fine. |
50 |
100 |
| 158 |
 |
Pair Homan Pewter Candlesticks |
Cincinnati, Ohio, 10 inch type,
considered by many to be the most graceful of all American pewter sticks |
Fine. |
100 |
200 |
| 159 |
 |
Three Early Candlesticks |
Including one Homan 10"
pewter stick with push-up; plus Homan pewter 8" stick; and early
Sheffield stick, circa 1820's, 9" high. |
1st & 3rd Fine; 2nd with
small hole in column. |
50 |
100 |
| 160 |
 |
Chippendale High Chest |
Circa 1790, likely Penn. in
maple with chestnut secondary wood in painted red & black finish, cover molded top, over three
overlapping dovetailed drawers over four overlapping graduated dovetailed
drawers, flanked by reeded quarter columns with turned capitals and plinths,
all with oval brass pulls, solid ends with cut-out bracket base, 23 x 42 x
65" high. |
As above, else Fine. |
600 |
1200 |
| 161 |
 |
Cherry Hepplewhite Stand |
Circa 1820 with applied edging
on top, over single dovetailed drawer with cove molded edge and period brass
pull, paneled sides with matching cove molding, tapered legs, mortised &
pinned construction, 18 x 16 3/4 x 26 1/2" high. |
Fine. |
100 |
300 |
| 162 |
 |
Early Therom Painting |
Watercolor on linen of glass
compote of fruit, artist initialed lower right V.L.J., 21 x 15" in
period frame, 24 1/2 x 18 1/2". |
Fine. |
150 |
350 |
| 163 |
 |
Early Blue & White Pieced
Quilt |
multi 8-pointed star pattern
with double saw-tooth border in blur calico print, all hand quilted, 84 x
88". |
Some holes in blue and scattered
stains, still Good. |
100 |
300 |
| 164 |
 |
Early Patriotic Pieced Quilt |
All hand quilted, circa 1870's
with solid reds and calico printed blues on white in pattern of U.S. flag
bunting in circle of four with red square in center, repeated across field,
72" square. |
Some scattered stains. |
400 |
800 |
| 165 |
 |
1845 Jacquard Coverlet |
Two piece in blue & white
wolld and linen with floral and eagle border, stylized floral center, corner
blocks dated 1845, 72 x 88". |
Good. |
150 |
350 |
| 166 |
 |
1852 Jacquard Coverlet |
Dated in corner block with
initials L.N., center with vining vintage pattern, border with eagles and
houses, two piece blue & white wool and linen, 66 x 88". |
Vert Good. |
150 |
350 |
| 167 |
 |
Paint Decorated Chest |
Circa 1850 in white pine with
overhanging beveled edge top, over four graduated drawers with diagonal
marbleized panel on each, original turned wood pulls, grain painted front
with black edging, paneled sides and scroll cut-out feet in original green
painted finish, 40 1/2 x 18 1/2 x 45 1/2" high. |
Paint circa 97%, Fine. |
400 |
800 |
| 168 |
 |
Paint Decorated Ohio Tall Case
Clock Case |
Circa 1830, case only in pine
with original polychrome painted finish with graining and diagonal banding,
bonnet with slat top with three turned finial, over rectangular door, flanked
by turned columns, waist with deep cove molding at top and bottom with
overlapping door with original turned knob, base with overlapping door in
front and nice cut-out apron, 19 x 11 1/2 x 94" high. |
Paint circa 98%, Fine. |
300 |
600 |
| 169 |
 |
Painting of American Racing
Yacht |
Late 19th century reverse
painting on glass of two misted racing yacht named MS Scow, flying U.S. flag,
13 1/2 x 10 1/4" in original oak frame, 17 3/4 x 14 1/2". |
Fine. |
300 |
600 |
| 170 |
 |
American Folk Art Ships Portrait |
Anonymous oil on paper of a
three masted propeller driven steamship flying U.S. flag with three ships in
background and gull in foreground, 19 x 14 in period silver gilt frame, 25
1/2 x 20 1/2". |
Fine. |
300 |
600 |
| 171 |
 |
Cherry Queen Anne Desk on Frame |
With Dovetailed contstruction,
including four graduated drawers and nice interior with seven drawers. |
Refinished, dark stains on part
of writing surface, otherwise original condition. |
1000 |
2000 |
| 172 |
 |
Kentucky Cherry Sheraton Sugar
Stand |
With overhanging lift hinged top
and lock one side, opens to
divided interior, nice bold turned legs, old varnish finish, poplar secondary
wood, 19 3/4 x 19 1/4 x 29 1/4" high. |
Minor stains and nail hole in
top, else Fine. |
400 |
800 |
| 173 |
 |
Pair of Folk Art Paintings |
A pair portraits attributed to
Zedekiah Belknap 1781-1858 of New England, circa 1820, of a young married
couple, each facing in different directions. Belknap, a preacher and itenerant
artist, noted for his many portraits of residents of Mass., N.H. and N.Y. in
the 1st quarter of the 19th century. A graduate of Dartmouth noted for his
method of using red to line one side of the sitters nose, and making the
cheeks rose colored with round eyes, as well as using a minimum number of
brush strokes on his portraits faces, and these fit those traits completely,
as well as bearing an amazing likeness to his known works. Each are in circa
1810-20 clothing and the lady has a broach and necklace, with lovely painted
lace bonnet and collar, and holding a branch with two apricots or peaches.
Both are oil on canvas in matching period gild frames, canvas is 23 x
29" and frames are 30 x 36". |
Good condition. |
4000 |
8000 |
| 174 |
 |
Semi-Antique Persian Tapestry |
In highly stylized floral
design, 58 x 88". |
Fine. |
100 |
200 |
| 175 |
 |
Semi-Antique Oriental Area Rug |
In stylized floral &
geometric design with three borders, primary red field. |
Slight Wear. |
100 |
200 |
